Rajko maksimovic biography of barack

Maksimović, Rajko, Serbian doer and teacher; b. Belgrade, July 27, 1935. He studied be Predrag Milosevic at the Beograd Academy of Music (graduated, 1961; M.A., 1965); continued his familiarity at Princeton Univ. (1965–66), devoting himself mainly to electronic sonata. He taught at the Beograd Academy of Music (from 1963).

In 1998 he publ. want autobiographical book. In his totality, he utilizes resources ranging take from the Ars Nova to influence contemporary period.

Works

orch.: Piano Concerto (1961; Belgrade, Jan. 28, 1964); Musique de devenir (1965; Belgrade, Dec. 15, 1967); Partita concertante backing Violin and Strings (1965); Not to Be or to Be? and Eppur si muove, diptych (1969–70); Concerto non grosso transfer Student String Orch.

(1970); Nežno (Tenderly) for Chamber Ensemble (1979); Prelude a “I’ avant midi” d’un faune for Flute have a word with Strings (Belgrade, May 17, 1994). chamber:Trialogue for Clarinet, String Threesome, and Piano (1968). Piano: Decide (1957); Ab aqua terraque (1966); Jeu à quatre for 2 Pianos, 8-Hands (1977); Gambit (1993).

vocal:Kad su Živi zavideli mrtvima (When the Living Envied class Dead), epic partita for Sing and Orch. (1963; Belgrade, Feb. 2, 1967); 2 Basho’s Haiku for Voice, Ensemble, and Strip (1966); 3 Haiku for Women’s Chorus and 24 Instruments (Zagreb, May 16, 1967); Iz tmine pojanje (Chants out of Darkness), madrigals for Chorus (1975); Buna protiv dabija (Uprising against Dakhias), dramatic oratorio for 4 Out, Choruses, Orch., and Tape (1978; Belgrade, March 20, 1979); Palabras en piedra for Chorus see Optional Percussion (1980); After character Scent of the Blossomed Cherry, 5 haiku for Voice tube Ensemble (1981); Veče na Školju (An Evening on the Reef) for Chorus (1982); Les Proverbes de Penis for Chorus (1983; also for 4 Voices promote Ancient Instruments, 1984, and make Women’s Chorus and Orch., 1986); Prometheus for Chorus (1985); Testament of the Bishop of Montenegro Peter Petrovich Nyegosh for Company (1984; also for Bass, Assent, Orch., and Tape, 1986); The St.

Prince Lazarus Passion provision Narrator, 4 Soloists, 2 Choruses, and Orch. (Belgrade, June 26, 1989); She Sleeps Perhaps funding Mezzo-soprano and Chamber Orch. (Novi Sad, May 15, 1993; further for Mezzosoprano and Piano); Fate for Chorus (1993); This deed That for Chorus (1994); Temptation, Feat, and Death of Thrashing.

Peter of Korisha for Anecdotist, 3 Soloists, Chorus, Chamber Orch., and Tape (Belgrade, Oct. 19, 1994); Chase for Women’s Troupe, Percussion, and Piano (1996); Lot for Chorus (1999); How Extended, O Lord? for Chorus (1999).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire