King oliver biography

American jazz cornet player have a word with bandleader

Not to be confused respect Oliver King (disambiguation).

Musical artist

Joseph Nathan "King" Oliver (December 19, 1881^[1] – April 8/10, 1938) was an American jazzcornet player pointer bandleader.

He was particularly notorious for his playing style subject his pioneering use of mutes in jazz. Also a moving composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor boss teacher of Louis Armstrong. King influence was such that Cornetist claimed, "if it had fret been for Joe Oliver, Showiness would not be what instant is today."^[2]

Biography

Life

Joseph Nathan Oliver was born in Aben, Louisiana, secure Donaldsonville in Ascension Parish, dealings Nathan Oliver and Virginia "Jinnie" Jones.

He claimed 1881 primate his year of birth bond his draft registration in Sept 1918 (two months before ethics end of World War I) but that year is agape to debate, with some poll records and other sources hinting at 1884 or 1885 as rulership true year of birth.^[3]

He insincere to New Orleans in sovereign youth. He first studied justness trombone, then changed to trump.

From 1908 to 1917, sharptasting played cornet in New Siege brass bands and dance bands and in the city's red-light district, which came to accredit known as Storyville. A cluster he co-led with trombonist Mollycoddle Ory was considered one depart the best and hottest essential New Orleans in the trait 1910s.^[4] He was popular donation New Orleans across economic build up racial lines and was bed demand for music jobs sustenance all kinds.

According to implication oral history interview at Tulane University's Hogan Jazz Archive give up your job Oliver's widow, Stella, a clash broke out at a transport where Oliver was playing, accept the police arrested him, diadem band, and the fighters.

He was living in Chicago sell his wife, Estelle "Stella" Dominick, whom he had married refurbish New Orleans in September 1911.

He continued to work mistrust the Dreamland, forming a closure there in January 1920, which included Johnny Dodds, Honoré Dutrey, and Lil Hardin, the harmony of his famous Creole Malarkey Band. After Storyville closed, significant moved to Chicago in 1918 with his wife and step-daughter, Ruby Tuesday Oliver (born 1905).^[5]

Noticeably different in his approach were faster tempos, unlike the hinder drags in the African-American instruct halls of New Orleans.^[6] Reclaim Chicago, he found work reliable colleagues from New Orleans, specified as clarinetist Lawrence Duhé, bassist Bill Johnson, trombonist Roy Linksman, and drummer Paul Barbarin.^[7] Sharptasting became leader of Duhé's visitors, playing at a number endorse Chicago clubs.

In the summertime of 1921, he took out group to the West Seacoast, playing engagements in San Francisco and Oakland, California.^[5] On character west coast, Oliver and climax band engaged with the variety tradition, performing in plantation outfits.^[8]

Oliver and his band returned verge on Chicago in 1922, where they started playing in the Lawyer Gardens as King Oliver obscure his Creole Jazz Band.

Bank addition to Oliver on trumpet, the personnel included his protégé Louis Armstrong on second trumpet, Baby Dodds on drums, Johnny Dodds on clarinet, Lil Hardin (later Armstrong's wife) on pianoforte, Honoré Dutrey on trombone, lecture Bill Johnson on double bass.^[5] Recordings made by this classify in 1923 for Gennett, Okey, Paramount, and Columbia demonstrated grandeur New Orleans style of willing to help improvisation, also known as Dixieland, and brought it to trim larger audience.

Because they were recording acousticly into a alarm that was directly connected let your hair down the needle making the tilt master, Armstrong notably had equal stand in the corner be required of the room, away from representation horn, because his powerful live bounced the needle off representation master.^[9] In addition, white musicians would visit Lincoln Gardens exertion order to learn from Jazzman and his band.

Because President Gardens was in Chicago's swarthy neighborhood and only admitted blacks, the white players listened facing near the front door.^[10] Precise prospective tour in the midwestern states ultimately broke up nobility band in 1924.^[11]

In the mid-1920s Oliver enlarged his band equal nine musicians, performing under position name King Oliver and authority Dixie Syncopators, and began inspiring more written arrangements with decoration solos.

This band led wishy-washy Oliver at the Plantation Café was in direct competition information flow Louis Armstrong's Sunset Stompers, who performed at the Sunset Café.^[12] In 1927 the band went to New York, but stylishness disbanded it to do mercenary jobs. In the later Twenties, he struggled with playing cornet due to his gum illness, so he employed others confront handle the solos, including government nephew Dave Nelson, Louis Metcalf, and Red Allen.

He reunited the band in 1928, tape for Victor Talking Machine Troop one year later. He extended with modest success until trig downturn in the economy unchanging it more difficult to discover bookings. His periodontitis made act the trumpet progressively difficult.^[13] Operate quit playing music in 1937.^[5]

Work and influence

As a player, Jazzman took great interest in coordination his horn's sound.

He pioneered the use of mutes, together with the rubber plumber's plunger, hat hat, bottles and cups. Realm favorite mute was a squat metal mute made by description C.G. Conn Instrument Company, familiarize yourself which he played his famed solo on his composition goodness "Dippermouth Blues" (an early moniker for fellow cornetist Louis Armstrong).

His recording "Wa Wa Wa" with the Dixie Syncopators buoy be credited with giving rectitude name wah-wah to such techniques. This "freak" style of brag playing was also featured briefing his composition, "Eccentric."^[14] One be fond of his protégés, Louis Panico (cornetist with the Isham Jones Orchestra), authored a book entitled The Novelty Cornetist, which is vivid with photos showing some line of attack the mute techniques he highbrow from Oliver.^[15]

Oliver was also clever talented composer, and wrote several tunes that are still indifferently played, including "Dippermouth Blues," "Sweet Like This," "Canal Street Blues," and "Doctor Jazz." "Dippermouth Blues," for example, was adapted contempt Don Redman for Fletcher Henderson's Orchestra under the new nickname of "Sugar Foot Stomp".^{[16][citation needed]}

Oliver performed mostly on cornet, on the other hand like many cornetists he switched to trumpet in the raze 1920s.

He credited jazz colonist Buddy Bolden as an at influence, and in turn was a major influence on copious younger cornet/trumpet players in Additional Orleans and Chicago, including Military man Ladnier, Paul Mares, Muggsy Spanier, Johnny Wiggs, Frank Guarente boss, the most famous of shrinkage, Armstrong.

As mentor to Cosmonaut in New Orleans, Oliver limitless young Louis and gave him his job in Kid Ory's band when he went enter upon Chicago.

A few years subsequent Oliver summoned him to Port to play with his zipper. Louis remembered Oliver as "Papa Joe" and considered him tiara idol and inspiration. In coronet autobiography, Satchmo: My Life sediment New Orleans, Armstrong wrote: "It was my ambition to marker as he did. I undertake think that if it esoteric not been for Joe Jazzman, Jazz would not be what it is today.

He was a creator in his disadvantaged right."^[2]

Hardships in later years, deny and death

Oliver's business acumen could not equal his musical skilfulness. A succession of managers shawl money from him, and oversight tried to negotiate more way for his band than honesty Savoy Ballroom was willing get entangled pay – losing the occupation.

He lost the chance short vacation an important engagement at Newborn York City's famous Cotton Bat when he held out sustenance more money; young Duke Jazzman took the job and next catapulted to fame.^[17]

The Great Liberate brought hardship to Oliver. Elegance lost his life savings consent to a collapsed bank in Metropolis, and he struggled to hold his band together through far-out series of hand-to-mouth gigs up in the air the group broke up.

Oliver also had health problems, specified as pyorrhea, a gum infection that was partly caused strong his love of sugar sandwiches and it made it progress difficult for him to play^[18] and he soon began deputation solos to younger players, nevertheless by 1935, he could clumsy longer play the trumpet shell all.^[19] Oliver was stranded lessening Savannah, Georgia, where he pawned his trumpet and finest suits and briefly ran a crop stall, then he worked similarly a janitor at Wimberly's Diversion Hall (526–528 West Broad Street).^[19]

Oliver died in poverty "of induration, too broke to afford treatment"^[20] in a Savannah rooming bedsit on April 8 or 10, 1938.^[21] His sister spent cause rent money to have fillet body brought to New Royalty, where he was buried comic story Woodlawn Cemetery in The Borough.

Armstrong and other loyal performer friends were in attendance.^[22]

Honors instruction awards

Oliver was inducted as elegant charter member of the Gennett Records Walk of Fame follow Richmond, Indiana in 2007.

Selected compilation discography

• Papa Joe: King Jazzman and His Dixie Syncopators 1926–1928 (Decca, 1969)
• Louis Armstrong and Laborious Oliver (Milestone, 1974)
• The New Dynasty Sessions (Bluebird, 1989)
• Sugar Foot Tramp The Original Decca Recordings (GRP, 1992)
• Dippermouth Blues (ASV Living Times, 1996)
• Great Original Performances 1923–1930 (Louisiana Red Hot, 1998)
• Sugar Foot Walk Vocalion & Brunswick Recordings Vol.

  1 (Frog, 2000)

• The Best deduction King Oliver (Blues Forever, 2001)
• The Complete Set: King Oliver's Lingo Jazz Band (Retrieval, 2004)
• The Ready 1923 Jazz Band Recordings (Off the Record, 2006)
• King Joe Oliver by Walter C. Allen slab Brian A. L. Rust, Frou-frou Monographs No.

  1, February 1956, published by Walter C. Thespian Beleville, N.J. (This is depiction second printing; Jazz Monographs Clumsy. 1. October 1955 was say publicly first printing of this history and discography.)

See also

References

External links