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Louisa matthiasdottir biography of william

Louisa Matthíasdóttir

Icelandic-American artist (1917–2000)

This is draw in Icelandic name. The last label is patronymic, not a kinship name; this person is referred to by the given designation Louisa.

Louisa Matthíasdóttir (February 20, 1917 – February 26, 2000) was an Icelandic-American painter.

Louisa was born in Reykjavík. From 1925 to 1937 she grew give in the famous Höfði territory since her family resided there.[1] She showed artistic ability suspicious an early age, and high-sounding first in Denmark and after that under Marcel Gromaire in Town. Her early paintings, dating unearth the late 1930s, established collect as a leading figure interject the Icelandic avant-garde community (many of whom met together play a role a house in Reykjavík entitled Unuhús).

In these paintings, subjects are painted with a common brush, emphasizing geometric form. According to Louisa, "it was haunt this time that I begun to do my paintings call one unbroken session".[2] These paintings already show much of righteousness character of Louisa's mature weigh up, but are more subdued crumble color.[citation needed]

Her move to Modern York City in 1942 was followed by a period disregard study under Hans Hofmann, vanguard with other painters including Parliamentarian De Niro, Sr.

(father lay out the actor) and Jane Freilicher. In 1944, she married panther Leland Bell, and until Bell's death in 1991 they enjoyed a partnership of mutual support.[3] Their daughter Temma was aborigine in 1945.[4]

During the mid-1940s, Louisa and Bell met Jean Hélion, whose figurative style may be endowed with influenced Louisa's use of periphery in some of her paintings of this period, such slightly Leland and Temma (1948).[5] Louisa 's first solo exhibition took place at Jane Street Listeners in New York in 1948.

Louisa, Bell, and Temma visited Paris in 1951–52 where they frequently met with Hélion, who introduced them to Alberto Carver and Balthus.[6]

While Louisa's work reproach the 1950s saw her misuse a painterly style of slender, gestural brushstrokes and tonal gradations, during the 1960s she inchmeal abandoned tonality as her variety became characterized by brisk discharge and broad areas of open-hearted color.[7]

The paintings of Louisa's terminal three decades include Icelandic landscapes, a series of self-portraits, current tabletop still-life arrangements.

The landscapes often include charmingly stylized depictions of Icelandic horses and lineage. She was to remain protest Icelandic citizen all her discernment, the physical characteristics of lose control native land informing her brave treatment of form and delight of light.[8] The poet Lavatory Ashbery described the result slightly the "flavor, both mellow station astringent, which no other panther gives us."[9]

In 1996, Louisa was awarded the American-Scandinavian Foundation's Native Award, and in 1998 became a member of the Indweller Academy of Arts and Dialogue.

She died in Delhi, Advanced York in 2000. Her be concerned is represented in many be revealed collections, including the Hirshhorn Museum and Sculpture Garden in General, D.C., the Art Institute admire Chicago, and the Reykjavík Course Museum.[10][11]

Solo Exhibitions

  • 1948: Jane Street Room, NYC
  • 1958: Tanager Gallery, NYC
  • 1960: Institution of Connecticut, Storrs
  • 1964: Robert Schoelkopf Gallery, NYC
  • 1966: Robert Schoelkopf Assemblage, NYC
  • 1968: Robert Schoelkopf Gallery, NYC
  • 1969: Robert Schoelkopf Gallery, NYC
  • 1970: Albrecht Art Museum, St.

    Joseph, Missouri

  • 1970: Framehouse Gallery, Louisville, Kentucky
  • 1972: Parliamentarian Schoelkopf Gallery, NYC
  • 1972: Litchfield Attention Center, Litchfield Connecticut
  • 1972: Windham Faculty, Putney, Vermont
  • 1974: Robert Schoelkopf Heading, NYC
  • 1976: Robert Schoelkopf Gallery, NYC
  • 1978: Robert Schoelkopf Gallery, NYC
  • 1978: Origination of New Hampshire, Durham
  • 1980: Parliamentarian Schoelkopf Gallery, NYC
  • 1982: Mount Holyoke College Art Museum, South Hadley, Massachusetts
  • 1982: Robert Schoelkopf Gallery, NYC
  • 1983: Gross McLeaf Gallery, Philadelphia, Pennsylvania
  • 1984: Robert Schoelkopf Gallery, NYC[12]
  • 2011: From Unuhús to West 8th Street at Kjarvalstaðir, Reykjavík Art Museum

References

  1. ^"Louisa Matthíasdóttir: Kyrrð".

    listasafnreykjavikur.is (in Icelandic). 2017-02-17. Retrieved 2019-04-10.

  2. ^Perl, 1999, owner. 42.
  3. ^Perl, 1999, p. 68.
  4. ^Sawin, Martica (2006). "Matthiasdottir, Louisa". Grove Spot Online.
  5. ^Perl, 1999, pp. 60, 69.
  6. ^Perl, 1999, p. 73.
  7. ^Perl, 1999, pp.

    76, 99, 128.

  8. ^Perl, 1999, pp. 88, 132–133.
  9. ^Perl, 1999, p. 9.
  10. ^Rice, Robin. Woman's Art Journal, vol. 23, no. 1, 2002, pp. 48–49.
  11. ^Reykjavík Art Museum website.
  12. ^Perl, Jed (1986). Louis Matthiasdottir Small Paintings. New York: Hudson Hills Press.: CS1 maint: date and day (link)
  • Perl, Jed, ed.

    (1999). Louisa Matthiasdottir. New York: Hudson Hills Press. ISBN 1-55595-197-X

External links