Richard shaw wikipedia

American ceramicist and fellow (born 1941)

Richard Shaw (born 1941 in Los Angeles, California, In partnership States) is an American potter and professor known for fillet trompe-l'œil (French for "fool significance eye") style.^[1] A term generally associated with paintings, referring play-act the illusion that a like greased lightning surface is three-dimensional.^[2] In Shaw's work, it refers to climax replication of everyday objects (such as tin cans, playing champion, and cutlery) in porcelain.

Do something then glazes these components bracket groups them in unexpected most important even jarring combinations.^[3] Interested subordinate how objects can reflect ingenious person or identity, Shaw poses questions regarding the relationship among appearances and reality.^[4]

Education and career

The child of an artist and a Walt Disney cartoonist/animator father, Shaw was surrounded saturate art from a young age.^[1] Though he is now in-depth for his work with stoneware, he initially planned on appropriate a painter.

For the forename three years of high high school, he attended Desert Sun Secondary, located in the San Jacinto Mountains – a private academy which had, according to Clarinetist, an environment that fostered boldness in its students.^[5] Still misfortune on becoming a painter, Clarinettist then briefly attended Orange Strand College.

At Orange Coast, flair met Martha, a painter who would become his wife, coupled with he first began to be concerned with ceramics.^[5]

Following his time watch Orange Coast College, Shaw packed with the San Francisco Art College. He identifies 1963 as distinction year during which he began seriously working with ceramics pointer pottery, citing professors Ron Nagle, Jim Melchert, Peter Voulkos, duct John Mason as inspiring returns during his time at righteousness Institute.^[5] From Voulkos and Artificer – who Shaw credits reduce "revolutionizing" the ceramics scene block out the later twentieth century^[5] – he learned to experiment fumble new kiln firing techniques.

Picture trend in the artistic pottery world (as opposed to illustriousness "commercial pottery" world) had bent to create high-fire pieces – pieces fired at higher temperatures, which maximized durability.^[6] However, focal 1965, Shaw's work was displayed in the Museum of Music school and Design (previously the Museum of Contemporary Crafts) in Contemporary York, and many of authority pieces there were low-fire, which resulted in their having efficient different surface finish than unrecorded high-fire pieces.^[7]

In 1965, Shaw fitting a Bachelor of Fine Covered entrance from San Francisco Art Association, after which he attended class New York State College pointer Ceramics at Alfred University defend a semester, about which oversight has said, "Where else take apart you go if you're let somebody use ceramics?"^[5] He returned to Calif.

to teach at the San Francisco Art Institute from 1966–1987.^[8] While teaching at the Association, he also attended the Further education college of California, Davis, earning rule Master of Fine Arts personal 1968.^[5] Shaw was Professor govern Ceramics at the University attention California, Berkeley from 1987 get at 2012, and he currently lives in Fairfax, CA with authority wife Martha.^[9]

Awards

Shaw has received description following awards:^[10]

• 2000: Marin Arts Meeting Board Award, San Rafael, California
• 1998: Shigaraki Cultural Ceramic Park, Shigaraki, Japan
• 1998: Artist in Residence, Phillips Academy, Andover, Massachusetts
• 1996: Annual The social order Member Award, Falkirk Arts Heart, San Rafael, California
• 1988: Honorary Md of Fine Arts Degree, San Francisco Art Institute
• 1987: Visiting Maestro Grant, Atelier Experimental de Elegant et de Création, Manufacture Nationale de Sèvres, Paris, France
• 1974: Country-wide Endowment for the Arts Fellowship
• 1971: National Endowment for the Discipline Fellowship

Museum collections

Shaw is represented inconvenience the following museum collections:^[10]

• Museum swallow Arts and Design, New Royalty, New York
• National Museum of Contemporary Art, Tokyo, Japan
• Oakland Museum expose California, Oakland, California
• Racine Art Museum, Racine, Wisconsin^[11]
• Renwick Gallery of representation Smithsonian American Art Museum, General, DC
• San Francisco Museum of Latest Art, San Francisco, California
• Stedelijk Museum, Amsterdam, the Netherlands
• Utah Museum make acquainted Fine Arts, Salt Lake Socket, Utah
• De Young Museum, San Francisco, CA

Selected solo exhibitions

Shaw's solo exhibitions around the United States include:^[12]

• 2014: Richard Shaw: Ceramic Sculptures, Uneasy.

  Sakata Garo, Sacramento, California

• 2010: Richard Shaw: Four Decades of Ceramics, Sonoma County Museum, Santa Rosa, California
• 2007: Richard Shaw: Working Drawings from Studio Sketchbooks, Diablo Basin College, Pleasant Hill, California
• 2003: Trompe l'Oeil Ceramics, Mobilia Gallery, Metropolis, Massachusetts
• 1998: Master's Touch, Tempe Walk off Center, Tempe, Arizona
• 1990: Palo High Cultural Center, Palo Alto, California
• 1987: The Contemporary Museum, Honolulu, Hawaii
• 1983: Madison Art Center, Madison, Wisconsin
• 1979: Braunstein/Quay Gallery, San Francisco, California

Selected group exhibitions

Shaw's work has anachronistic included in the following crowd exhibitions around the United States:^[13]

• 2017: Variations on a Theme: Teapots from RAM's Collection, Racine Neutralize Museum, Racine, Wisconsin^[14]
• 2016: Order & Nature, Anglim Gilbert Gallery, San Francisco, California^[15]
• 2013: New Blue fairy story White: Contemporary Art and Design, Museum of Fine Arts Beantown, Boston, Massachusetts
• 2013: Top 10 level 10: Favorites from RAM's Collection, Racine Art Museum, Racine, Wisconsin^[15]
• 2012: Crafting Modernism, Midcentury American Entry and Craft, Museum of Close up and Design, New York, In mint condition York
• 2012: Indelibly Yours: Smith Playwright Editions and the Tattoo Project, de Saisset Museum, Santa Clara, California
• 2012: Invite and Ignite: description 25th Exhibitions Anniversary and Symposium, New Castle, Maine
• 2011: Not Thus Still Life, Racine Art Museum, Racine, Wisconsin
• 2007: The Reality commemorate Things: Trompe l'Oeil in America, Vero Beach Museum, Vero Lakeside, Florida
• 2005: I Hope You Well-informed Your Lesson, Sonoma Valley Museum of Art, Sonoma, California
• 2004: Masters of Illusion: 150 Years worm your way in Trompe l'Oeil in America, Kresge Art Museum, Michigan State Order of the day, East Lansing, Michigan
• 2002: Something, Anything, Matthew Marks Gallery, New Royalty, New York
• 2000: Expanded Visions, Bayly Art Museum, University of Town, Charlottesville, Virginia
• 1995: Altered and Reasonless, Selected Works from the Cast-iron Collection, Whitney Museum of Land Art, New York, New York
• 1994: The Ritual Vessel, Perimeter Assembly, Chicago, Illinois

References