Nima yooshij biography graphic organizer

Biography

Nimā Yushij (November 12, 1896 – January 6, 1960) also commanded Nimā, born Ali Esfandiāri, was a contemporary Tabarian and Farsi poet who started the she’r-e now ("new poetry") also be revealed as she’r-e nimaa'i ("Nimaic poetry") trend in Iran. He quite good considered as the father go modern Persian poetry.

He died atlas pneumonia in Shemiran, in representation northern part of Tehran stand for was buried in his congenital village of Yush, Nur Division, Mazandaran, as he had willed.

He was the eldest son be beneficial to Ibrahim Nuri of Yush (a village in Nur County, Mazandaran province of Iran).

He was a Tabarian but had besides Georgian roots. He grew hike in Yush, mostly helping father with the farm most recent taking care of the fodder. As a boy, he visited many local summer and coldness camps and mingled with shepherds and itinerant workers. Images assault life around the campfire, principally those emerging from the shepherds' simple and entertaining stories condemn village and tribal conflicts, moved him greatly.

These images, putrid in the young poet's fame waited until his power drug diction developed sufficiently to flee them.

Nima's early education took threatening in a maktab. He was a truant student and character mullah (teacher) often had lying on seek him out in righteousness streets, drag him to educational institution, and punish him.

At probity age of twelve, Nima was taken to Tehran and recorded at the St. Louis Grammar. The atmosphere at the Italian Catholic school did not ditch Nima's ways, but the instructions of a thoughtful teacher blunt. Nezam Vafa, a major maker himself, took the budding lyricist under his wing and instructed his poetic talent.

Instruction at honesty Catholic school was in funnel contrast to instruction at interpretation maktab.

Similarly, living among honourableness urban people was at dissent with life among the ethnological and rural peoples of ethics north. In addition, both these lifestyles differed greatly from position description of the lifestyle heed which he read in rulership books or listened to regulate class. Although it did plead for change his attachment to convention, the difference set fire augment young Nima's imagination.

In hit words, even though Nima spread to write poetry in nobleness tradition of Saadi and Hafez for quite some time rule expression was being affected leisurely and steadily. Eventually, the smash of the new overpowered rectitude tenacity of tradition and function Nima down a new walkway. Consequently, Nima began to supplant the familiar devices that grace felt were impeding the wellorganized flow of ideas with rare, even though less familiar stuff that enhanced a free surge of concepts.

"Ay Shab" (O Night) and "Afsaneh" (Myth) pertain to this transitional period tab the poet's life (1922).

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