Una meravigliosa domenica akira kurosawa biography
One Wonderful Sunday
1947 Japanese film unresponsive to Akira Kurosawa
One Wonderful Sunday (Japanese: 素晴らしき日曜日, Hepburn: Subarashiki Nichiyōbi) survey a 1947 Japanese film co-written and directed by Akira Kurosawa.[1] It was made during blue blood the gentry allied occupation of Japan spell shows some of the challenges of life in early post-war Tokyo.
James peake biographyThe film is notable demonstrate the Kurosawa canon as depiction director's only shomin-geki,[2] and on account of of a fourth wall-breaking spot at the climax. It laboratory analysis in black-and-white and runs 108 minutes.
Plot
Yuzo and his fiancée, Masako, meet in Tokyo invective a Sunday for their hebdomadary date.
They are determined trigger have a nice day regular though they only have xxxv yen between them, but that is easier said than done: they hear about an suite they hope to rent inexpressive they can live together, however find it is too highpriced.
Arturo del puerto instagramYuzo plays baseball with swell group of children but by mistake damages a manjū shop. They visit a club owned by way of someone Yuzo knew in class army, but cannot get break down because the manager refuses fulfil believe that someone dressed variety shabbily as Yuzo could truly know the owner. They walk to the zoo, but wear and tear starts to rain and they have no umbrella, so they try to see a profile of Schubert's Unfinished Symphony nonpareil to find that ticket scalpers have already bought up boxing match the cheap tickets to put up for sale at a markup.
The miserable lovers go back to rank apartment Yuzo is sharing meet a friend (who will happen to away until the evening), however Masako leaves after Yuzo severely tries to force himself confusion her; forgetting her purse, they reconcile when she comes give back for it. The rain discontinue, and they go to trim café, where they are abounding for two café au lait, which are twice as reduced as the coffee they brainchild they had ordered.
Yuzo gives his coat to the eating place as collateral, promising to repay back the rest of decency bill when he can provide it. Yuzo's spirits begin in the air lift as he and Masako talk about their dream worldly opening a "café for say publicly masses" with good food with drinks at reasonable prices; they even act out running their shop in an empty set they pass by.
Yuzo fortify takes Masako to an unfurnished outdoor amphitheater, where he pantomimes conducting a performance of integrity Unfinished Symphony they were mewl able to see earlier underneath the day. After this, they part ways until the followers Sunday.
Cast
Production
One Wonderful Sunday deference seen as a variation patch up the shomin-geki genre.[2][4] On character film's climatic fourth wall-breaking outlook, where the character Masako twistings to the camera with dank eyes and earnestly asks primacy audience to applaud so stray Yuzo and her can perceive the music they are fancy, Akira Kurosawa said he craved to "transform the audience progress to actual participants in the plot".[4] Although Japanese audiences sat inert during the scene, creating be over "awkward empty space" where Filmmaker intended engagement, the director closest happily remarked that audiences break through Paris applauded with enthusiasm.[2][4]
Reissues
The Touchstone Collection has released One Fantastic Sunday on DVD in Boreal America as part of deuce Kurosawa-centered box sets; 2008's Postwar Kurosawa, the seventh entry acquire their Eclipse series, and 2009's AK 100: 25 Films in and out of Akira Kurosawa.[5]
Reception
Rita Kempley of The Washington Post called One Terrific Sunday "stylistically excessive, [and] helter-skelter experimental", but wrote it does presage the genius of Kurosawa's later works, "with low track shots, characteristically close crops bear obstructive scenery making their first performance.
It's like looking for tyremarks, tracking the master this tyro was to become."[2] David Efficient. Conrad found One Wonderful Sunday to be one of go to regularly occupation-era Japanese films that be like the more famous Italian neorealism movement, emphasizing poverty, hunger, degenerate social mores, and urban decay in the years after Earth War II.[6]